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Caroline Stinson Joins the Quartet
Canadian-born cellist Caroline Stinson has been appointed the new cellist in Duke University’s Ciompi Quartet upon the retirement of Frederic Raimi from the group at the end of this season. A member of the Lark Quartet since 2008 and previously a member of the Cassatt Quartet, she taught cello and chamber music at Syracuse University…
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It’s what we do…
I have to say that, although it gives me joy to have performed and toured with the Quartet in many countries around the world, living among my students as a Faculty-in-Residence for the past ten years has been a most extraordinary experience that I would not have had anywhere else. During my time, Pegram dorm has fostered…
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An excellent adventure
The Ciompi Quartet played two concerts at the Fougeres Music Festival in Brittany, France, in May of 2014. It was a lovely trip, made so by the two essential elements: good music and good people. Our program was American: works by Samuel Barber and Phillip Glass, a newly commissioned quartet by Melinda Wagner, and the…
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A visit to China
The Quartet visited four cities in China in December, 2013. Each time the we travel there (this was our fourth), new and interesting developments are evident in the musical scene. Our trip included a stop at Duke’s new campus at Kunshan, near Shanghai, with a concert in the new hall in the center of the…
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Program Notes: Schubert and Tchaikovsky
Quartet in D-major, D. 94 by Franz Schubert Quartet in F-major, Op. 22 by Peter Ilyich Tchaikovsky It would be hard to imagine two more dissimilar works than these within the realm of classical music’s period of common practice. The Schubert is simple, perhaps somewhat naïve, while the Tchaikovsky is emotionally wrought. It’s the difference, I suppose,…
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Things only cellists do, by Fred Raimi
I went on an errand this afternoon. I needed to get my endpin sharpened. An endpin (called a spike in England) is the rod that protrudes from the bottom of a cello to stick in the floor so the cello doesn’t slide. It’s a fairly recent innovation; prior to the 20th century, cellists generally didn’t use…
